[Poetic
Creating]
A poet’s response, on the page, is like a door with a knocker ready to answer every call, opening the world of pathetic fallacy, his visions and poetic skills — shaping the deep core of truth about [energetic] languages by means of semantics, typography, utterance, aural imagery, images, word plays, aesthetics, etc.
Often, the feeling of writing resembles to “the birds landing on a hangar of relented reality” with the prose unbridled or not, with the sensory end-stopped or not, with an exposure of rhetorical elements shaped to persuade, to argue and to convince. However, a poem should be good enough by moving along as a series of comments, reflections and memories rather than as any argument or interrogation.
Irregularity
in poetic structure may give the language a sense of spontaneous energy, and
however, a stick looks bent when it is put in water — the fact of the Plato’s
refracting reality that is conceived in every inch of poetic language.
Ekphrastic poetry is one art form regardless the subjects to inspire or be inspired by using a vivid, often dramatic, but powerful verbal creation. Modern poets can try to inhibit, interpret, inhabit, confront and speak to their subjects.
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